ENGL 206: World Literature Crossing Borders: Primary Sources

A collection by Project Gutenberg.

"In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.

"Recently discovered as a hand-written document in the Buckingham Smith Collection at the New York Historical Society, this remarkable first-person narrative traces the life of Sitiki, whose name was changed to Jack Smith after his enslavement in America. Captured and sold into slavery in Africa as a five-year-old, Sitiki traveled to America as a cabin boy. Eventually sold by the ship's captain to Josiah Smith of Savannah, Georgia, he lived there and in Connecticut with his new master. Captured by the British during the War of 1812, he was returned to the Smiths, to be freed only after the Civil War. He went on to become the first black Methodist minister in St. Augustine, Florida, where he established his own church."

For Esperanza, a young girl growing up in the Hispanic quarter of Chicago, life is an endless landscape of concrete and run-down tenements, and she tries to rise above the hopelessness.

"Lola was just a baby when her family left the Island, so when she has to draw it for a school assignment, she asks her family, friends, and neighbors about their memories of her homeland ... and in the process, comes up with a new way of understanding her own heritage"

This major poetry collection is a fearless depiction of a Latina living in the best and worst of times.

Xiomara Batista (Dominican American) feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours her frustration onto the pages of a leather notebook, reciting the words to herself like prayers - especially after she catches feelings for a boy in her bio class. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. When she is invited to join her school's slam poetry club, she knows that she could never get around Mami's rules to attend, much less speak her words out loud. But still, she can't stop thinking about performing her poems. Because in spite of a world that may not want to hear her, Xiomara refuses to be silent.